Sebastian Cestaro is a Buenos Aires-based illustrator and visual artist. We often come across abstract elements and figures in his works. Sebastian Cestaro’s style has a surreal side with a colorful cartoon-like color palette, abstract faces, and big eyes that he uses as a repetitive design element in most of his works also we can call them his signature. He told Its Nice That that “I use a lot of eyes because I find that they bring my illustrations to life. My characters like to look around. They are attentive.”
In the same interview with Its Nice That, he explains that he has been interested in cartoons since his childhood: “I was a big fan of Looney Tunes, Tom and Jerry and other cartoons of that style. They definitely left their mark on me. I think it was around that time I started to admire illustration as an art form.”
The artist has collaborated with many brands such as The New Yorker, The Washington Post, The New York Times, Zeit, VICE, Wired, HP, Medium, Victory Journal, The Baffler.
Audrey Large is a French designer currently based in Eindhoven, Netherlands. She explains her work as: “I’m interested in playing with digital aesthetics in a materialized object.”
How to design a poster using shapes and emojis? A video series focused on poster design tutorials. First we picked a frame for the outline and how to fill up empty spaces with happiness.
Paris-based illustrator Jiayi Li has a pure, glowing aesthetic. Airbrush vibes, anime aesthetic, humorous fruit sexuality can be seen in Jiayi Li’s works. Misty and glaring lights, gradients, details of reflection, and highlights are the most powerful characteristics of the illustrator’s work.
Sebastian Cestaro’s Cartoon World
Sebastian Cestaro is a Buenos Aires-based illustrator and visual artist. We often come across abstract elements and figures in his works. Sebastian Cestaro’s style has a surreal side with a colorful cartoon-like color palette, abstract faces, and big eyes that he uses as a repetitive design element in most of his works also we can call them his signature. He told Its Nice That that “I use a lot of eyes because I find that they bring my illustrations to life. My characters like to look around. They are attentive.”
In the same interview with Its Nice That, he explains that he has been interested in cartoons since his childhood: “I was a big fan of Looney Tunes, Tom and Jerry and other cartoons of that style. They definitely left their mark on me. I think it was around that time I started to admire illustration as an art form.”
The artist has collaborated with many brands such as The New Yorker, The Washington Post, The New York Times, Zeit, VICE, Wired, HP, Medium, Victory Journal, The Baffler.
You can follow Sebastian Cestaro’s work from his website, Instagram, and Behance account.
You can also find us on Twitter and Instagram.
Related Posts
Audrey Large’s Translation from Digital to Material
Audrey Large is a French designer currently based in Eindhoven, Netherlands. She explains her work as: “I’m interested in playing with digital aesthetics in a materialized object.”
Poster Series No1: How to Use Basic Shapes and Emojis to Design a Poster?
How to design a poster using shapes and emojis? A video series focused on poster design tutorials. First we picked a frame for the outline and how to fill up empty spaces with happiness.
Jiayi Li’s Captivating Misty Dreamworld
Paris-based illustrator Jiayi Li has a pure, glowing aesthetic. Airbrush vibes, anime aesthetic, humorous fruit sexuality can be seen in Jiayi Li’s works. Misty and glaring lights, gradients, details of reflection, and highlights are the most powerful characteristics of the illustrator’s work.
Futuristic and Fake Plastic World of Sisi Kim
Seoul based illustrator Sisi Kim, presents a fake plastic world that shows the possibilities of different futuristic settings.