The Seattle-based independent designer and art director describe herself as “Interested in words and pictures.”
After graduating from the Rhode Island School of Design, Chloe Scheffe started her career with an internship at Pentagram and then started working full time at The New York Times Magazine. Currently working as Art Director at Here Magazine.
Basically, the purpose of editorial design is to make publications interesting and to convey content accurately and legibly. While creating editorial designs, Chloe Scheffe successfully blends typography, graphics, and visual layout, resulting in incredible designs.
In an interview with Chloe Scheffe on It’s Nice That, she says her favourite phase for the fact that it’s when the design really takes off and adds: “Actually making things on paper – in the case of the magazine, usually display type – is essential to my creative process. It’s much easier for me to be agile and explore ideas without reservation when I work by hand, rather than on-screen; I feel like I have permission to be sloppier, weirder, and more playful.”
You can follow Chloe Scheffe on Instagram and also visit her website.
Audrey Large is a French designer currently based in Eindhoven, Netherlands. She explains her work as: “I’m interested in playing with digital aesthetics in a materialized object.”
Sebastian Cestaro’s style has a surreal side with a colorful cartoon-like color palette, abstract faces, and big eyes that he uses as a repetitive design element in most of his works also we can call them his signature.
Editorial Design Archives: Chloe Scheffe
The Seattle-based independent designer and art director describe herself as “Interested in words and pictures.”
After graduating from the Rhode Island School of Design, Chloe Scheffe started her career with an internship at Pentagram and then started working full time at The New York Times Magazine. Currently working as Art Director at Here Magazine.
Basically, the purpose of editorial design is to make publications interesting and to convey content accurately and legibly. While creating editorial designs, Chloe Scheffe successfully blends typography, graphics, and visual layout, resulting in incredible designs.
In an interview with Chloe Scheffe on It’s Nice That, she says her favourite phase for the fact that it’s when the design really takes off and adds: “Actually making things on paper – in the case of the magazine, usually display type – is essential to my creative process. It’s much easier for me to be agile and explore ideas without reservation when I work by hand, rather than on-screen; I feel like I have permission to be sloppier, weirder, and more playful.”
You can follow Chloe Scheffe on Instagram and also visit her website.
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